Fernanda D’Agostino is a public art and new media installation artist based in Portland, OR. D’Agostino
has exhibited nationally and internationally with video installation, large scale public art projects, and
performance. Her work has been featured in numerous new media festivals, and exhibitions, and she
strives to share what she has learned with others. In 2018 at the invitation of Curator Justin Hoover, she
produced large scale outdoor projection mapping works in San Francisco for the Untitled Art Fair and in
Hong Kong in conjunction with Art Basil Hong Kong . Her Borderline series of installations was exhibited
in 2018-19 at 1A Space Hong Kong, Disjecta Contemporary Art Center, Open Signal, and Portland Art
Museum. (all Portland, OR.) Her work has most recently been featured as part of Venice VR Expanded-a
division of the Venice Film Festival and Venice Biennale. Her work is in the collections of the Houston
Museum of Fine Arts, New York Public Library, and the Cyland Media Archive in St Petersburg, Russia.
D’Agostino’s work has been recognized by the Flintridge Foundation, Bonnie Bronson Fellowship, Andy
Warhol Foundation, Oregon Community Foundation, Ford Family Foundation, 4Culture TechSpecific
Award, Sacks Foundation of the University of Pennsylvania, Americans for the Arts, National Endowment
for the Arts and with the Oregon Arts Commission Artist Fellowship. D’Agostino is co-founder and co-
director with Sarah Turner of Mobile Projection Unit and is a member of the IN/body performance
collective in Portland, and Collective Action Studio, San Francisco. D’Agostino works between sculpture,
installation, creative coding and video mapping on several programming platforms. The connecting
thread in all her work is creating an immersive, interactive environment that places viewers within the
work.